Gastrodiplomacy Thesis Statement

PRESS RELEASE
WDC-092-2016
28 October 2016

WASHINGTON, D.C. – As part of the celebration of Filipino-American History Month and Archives Month, the Philippine Embassy hosted the Istorya-DC 2016 Symposium entitled “Philippine American Food Experiences in Washington, D.C. – Yesterday and Today,” at the Romulo Hall on 27 October 2016.

Ms. Amy Besa, a pioneer of gastro diplomacy in the United States and co-owner of Purple Yam restaurants in Brooklyn, New York and Malate, Philippines, delivered a video-recorded keynote speech. She emphasized the importance of knowing one’s own culture, history, environment, and ingredients that ultimately defines a nation’s cuisine.

“We are all very unified by showing our love for food. Food is very unifying, and it is a gesture of love especially when Filipinos cook it,” Ms. Besa concluded in her remarks.

“Cultural diplomacy or gastrodiplomacy has been a major thrust of the cultural and heritage promotion program of the Embassy this year,” said the Embassy’s Public Diplomacy Officer, Ms. Darell Artates in welcoming the guests to the symposium.

“The two panels in this year’s Istorya-DC aim to take a look back and a ‘look forward’ on this journey, so that we may be able to gain higher appreciation of what has been achieved so far and what remains to be done in terms of introducing our food and appealing to the different palates in the US,” Ms. Artates added.

This year’s symposium highlighted DC Philippine American Restaurants and DC Food Istoryas (stories) in two panel discussions that brought together Filipino restaurateurs and food enthusiasts in Metro DC as resource speakers.

The first panel was composed of Purple Patch owner Patrice Cleary, Bistro 7107 and Sweet City Desserts’ owner Manny Tagle, Timpla Supper Club co-founder Katrina Villavicencio, and moderated by University of Maryland’s Dr. Ricky Punzalan.

“When you talk about history and what makes our ingredients or our food tastes the way it does, it’s who we are and where we’ve been and how we’ve grown,” Ms. Cleary said on the role played by history in Philippine cuisine.

“We take these stories of our childhood. We take these dishes that we grew up eating in our supper club so that people can understand how we grew up and our personal history. Understanding our county’s roots and understanding the history of the Philippines and Philippine cuisine is very important on how we create food moving forward,” Ms. Villavicencio added.

The panel also sought to explain the increasing popularity of Philippine cuisine and why it is steadily evolving to be the “darling of diners” in the United States.

“The Filipino restaurants and Philippine cuisine have been here – California, New York, Chicago – except that they are not recognized by us, Filipinos. I think we, as a Filipino community, should start spreading them and be proud of our cuisine regardless of the region and who cooks it. It’s about time, and I’m proud to be a part of it,” Mr. Tagle said in conclusion of the first panel discussion.

The second panel discussion focused on sharing DC Food stories, and was moderated by Mr. Gem Daus of the University of Maryland.

Nila Toribio-Straka of the Toribio family, recalled her childhood memories with her grandmother known as Manang, as she cooked and served Filipino food at the Manila House in the mid-20th century.

“Restaurants become recreated views of the home life transposed into the public market and adjusted to the American needs of time constraints and financial concerns,” analyst and playwright Amanda Tira Andrei O’Connor said, reading an excerpt of her 2010 thesis Nanay’s Kusina or Carinderia? The Perceived Lack of Filipino Resturants in American Dining.

“When they look for pansit, lumpia, sinigang, those are the flavors that they are identifying with our food. So what we need to do as Filipinos is to make the best one that we can,”said Luis Florendo, former owner of Sony’s Filipino restaurant, as he stressed the importance of having something definitive about a culture that will make a lasting impression on people’s minds.

Ms. Rita Cacas of the Rita M. Cacas Foundation, Inc. (RMCF), the main proponent of the Istorya-DC series, also recounted and shared with the audience the story of the Manila House, a Filipino community gathering place located in Washington, D.C. that is also known as a place where the Toribio family prepared Filipino home cooked meals for bachelors and friends from the late 1930s to 1950s.

This year, the Manila House was recognized as a Literary Landmark by the United for Libraries. The designation was a culmination of the joint efforts made by the RMCF, Philippine Arts, Letters, and Media (PALM) Council, The Philippines on the Potomac (POPDC) Project and the Toribio family.

“The weight of this bronze plaque encompasses all of the soul that came to the Manila House more than 80 years ago,” said Ms. Cacas after she proudly unveiled the plaque at the symposium.

After the formal program, panelists and guests attended a simple reception where they enjoyed a variety of special dishes generously contributed by Bistro 7107, Sweet City Desserts, Inah’s Place, Lumpia Pansit Atbp., Manila Mart Grocery & Carry-Out, Purple Patch, and Ms. Mary Cacas and Mr. Jaime Bello.

Istorya-DC is an annual, educational event to share the histories, stories, and research about DC area Filipino communities held every October. This year’s event was organized with the support of The Rita M. Cacas Foundation, US-Philippines Society, Philippines on the Potomac, Filipino Cultural Association of the University of Maryland, and the Philippine Embassy. ###

PHOTO RELEASE
WDC-163-2016
28 October 2016

Public Diplomacy Officer, Ms. Darell Artates, welcomed the Istorya-DC 2016 symposium panelists and guests to the Romulo Hall of the Philippine Embassy on 28 October 2016.

PHOTO RELEASE
WDC-164-2016
28 October 2016

Ms. Rita M. Cacas delivered her remarks and shared the story of The Manila House at mid century.

PHOTO RELEASE
WDC-165-2016
28 October 2016

1st Panel: (L-R) Bistro 7107 and Sweet City Desserts’ owner Manny Tagle; Timpla Supper Club co-founder Katrina Villavicencio; and Purple Patch owner Patrice Cleary

PHOTO RELEASE
WDC-166-2016
28 October 2016

2nd panel: (L-R) Former owner of Sony’s Filipino restaurant Luis Florendo; Analyst and playwright Amanda Tira Andrei O’Connor; and Nila Toribio-Straka of the Toribio family

PHOTO RELEASE
WDC-167-2016
28 October 2016

The plaque designating The Manila House as a Literary Landmark by the United for Libraries was unveiled at the Istorya-DC 2016 symposium.

Poem of the Gifts

Poem of the Gifts by Jorge Luis Borges

No one should read self-pity or reproach
into this statement of the majesty
of God, who with such such splendid irony
granted me books and blindness in one touch.

Care of this city of books he handed over
to sightless eyes, which now can do no more
than read in libraries of dream the poor
and senseless paragraphs that dawns deliver

to wishful scrutiny. In vain the day
squanders on the same eyes its infinite tomes,
as distant as the inaccessible volumes
that perished once in Alexandria.

From hunger and from thirst (in the Greek story),
a king lies dying among gardens and fountains.
Aimlessly, endlessly, I trace the confines,
high and profound, of the blind library.

Cultures of East and West, the entire atlas,
encyclopedias, centuries, dynasties,
symbols, the cosmos, and cosmogonies
are offered from the walls, all to no purpose.

In shadows, with a tentative stick, I try
the hollow twilight, slow and imprecise—
I, who had always thought of Paradise
In form and image as a library.

Something, which certainly is not defined
by the word fate, arranges all these things;
another man was given, on other evenings
now gone, these many books, He too was blind.

Wandering through the gradual galleries,
I often feel with vague and holy dread
I am that other dead one, who attempted
the same uncertain steps on similar days.

Which of the two is setting down this poem—
A single sightless self, a plural I?
What can it matter, then, the name that names me,
given our curse is common and the same?

Groussac or Borges, now I look upon
this dear world losing shape, fading away
into a pale uncertain ashy-gray
that feels like sleep, or else oblivion.

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